Lateral Perspectives

The huge world inside a tiny head

Pamuk and Other Colours

13th June 2017, marks an important day in my life.

I finished reading Orhan Pamuk’s book titled “Other Colours”.  He is one of the very few authors, or author of the very few kind of books that I have read, who has made me reflect on life. While half way through the book, reading his reflection on Dostoyevsky, I suddenly realized that I have never seriously studied a novel before. Sure, I have drawn parallels and infused myself on thoughts on life in general, comparing the character’s circumstances and decisions made, about how the world is evil and not to be trusted, about how people are never what they mean and say, but do. But never in a studied manner. Never erudite, always a passive impassionate mode of thought. To think of it further, I almost never ventured to dig deep into books, or novels. I always assumed that they were pretentious at best, trying to please the audience.

I say almost because partly the blame lies on how literature is taught in schools.  Putting critic’s reviews in textbooks may not be the best idea. Since these existed and I read them, I grew up with the idea that whatever critic I would make would be a replica of theirs. A number of half-witted, self-promoted intellectuals try to dissect and vainly identify patterns, link or ideas even the writer may not have considered, for example, in goodreads or Quora. “The curtain is blue”  – the textbook would ask us what this could mean. It would try to impress on us that it depicts the writer’s depression, or whatever the critic decided to attest its meaning to.  Codswallop in my opinion.  I did not want myself to be associated with such people. In fact, I refrained from making any such assumptions and distanced myself from it as far as possible. In a way, it was good. The deeper meaning behind this book was not always something I concerned myself while reading. I read simply for the pleasure of enjoying the imagination of the writer, to visit new lands, to reflect ideas never discussed before, or to see them in a new light, a wondrous moment indeed.

Speaking of critics, one come across writers who write what they think, but these are rare, and I adore them dearly. The earliest one I have come across, is in my own native language, Malayalam. A critic of the acclaimed novel by Mohammed Basheer, Premalekhanam. The prose of the critic was incredibly hard, and fortunately, my teacher was extremely good. She made us think beyond the literary meaning of the critic’s word. This was my first true encounter with the critic. I harboured hatred for the critic for tearing down a wonderful novel – how dare he find meaning behind words! And a conflicting part of me developed admiration for him. I was seduced by how he painstakingly researched the time, condition and the mentality of the original writer and how all these influenced and lead to the novel, how it was received and affected the society, and how, the future generation of mine ought to read and think about it keeping all these things in mind. It was more like how they say Tolkien’s Mordor was inspired by the wastelands of the Word War.

Orhan Pamuk is such a writer/critic.  His thoughts are well formed, his conscious clear, and he tries to be polite and humble when it’s not. When reading Isaac Assimov’s robot series, I pondered very little on his take on the role of humans in a robotic world. I assumed these were natural consequences of such circumstances. I never realised the depth of his thoughts when he depicted the world and his characters. Moving forward in this digital and futuristic world, I can’t help but feel that more than fiction, he was a visionary, and his novels not mere science fiction, but predictions, of a future yet to come. It is not utopian or dystopian entirely. After all, much of science fiction has become commonplace these days. Except time travel and inter-galactic travel. I have my suspicions that space travel will find tremendous progress in the coming decades, and I would witness some historic moment with respect to it.  Time travel, unfortunately, is not something I think would be possible.

When reading Harry Potter, apart from falling in love with the magic world, I simply agreed with Rowling that power struggle is real and the magical world is no different world when it comes to basic human traits. Sure, there is a hero, a villain, anti-villains, traitors, but I still think the greatest character Rowling introduced is Umbridge. This, is what made me love the series even more. This separated Rowling to me from being a mere fantasy writer to an astonishing writer. You see, Umbridge is the kind of character I hate most in this world. Misusing and representing a position of power. A story of lies and deceptions, of their influence on unimaginative people, who in turn resented authentic ones. But these thoughts not occurred then, but a few years down the road. Until then, I always had thought Umbridge was simply a bad character. Only when I started working and witnessed true politics, did I appreciate what Umbridge truly represented.

In other words, it is high time to observe nature and society more. Even more essentially to me, to study books deeper. To read more classics and see what men and women, thought of people and society in general. It is not enough that I just read a good novel anymore. It is imperative that I understand more than the book, that I question the author’s circumstances, that I realize what the greater question is. I may not go to the extent of the critic, to break it down as finely as them, but would probably end up thinking a little bit more about the novel.

Some words on the actual novel itself. First of all a word on the title. An apt title, a breath of fresh air that also truly reflects on the content of the book, which is the authors breadth and width. I am quite happy to have witnessed the dear writer’s mind. Or whatever he chose to publish to the world. I was sort of surprised that he spoke little about philosophical ideas such as love, jealousy, ego, faith , pride and happiness, but greatly on turkey, childhood and the east-west conflicts. Perhaps this is what truly concerns his mind most of the time and the others, well he has written in his novels. Another part of me was partly happy because to be honest, I was bored by some of the articles because they were quite dry in nature.  Even a great writer like Pamuk can also write something that does not concern or interest me was surprising to say the least. There were two particular chapters that invoked an emotion that I was unable to identify or name. These are “When Ruya is Sad” and the final chapter, “My Father’s Suitcase”, which is his Nobel prize acceptance speech. Apart from these there was a particular article whose title might be “No Entry” which I think was quite clever and would like to leave it to the readers imagination to read and reflect on them. The former is a very short piece which touches lightly on melancholy. The speech which begins with a slow and dreary pace but soon picks up emotion and ends up in a spectacular paragraph on why he writes. I was so moved that tears welled up in my eyes. I choked and had to dry my eyes at the library. It would not be an understatement to say that the book has inspired me again after ten years, after reading a novel called Snow. That the same writer can have the same effect on you after such a long time, when you have undergone so much change is just purely incredible and to that Mr Pamuk, my favourite author, I owe you a lot.

 

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